Adam Parker Smith’s practice is primarily sculptural, relating to painting, wall relief and appropriation. Following an extended conceptual project that consisted of Smith stealing his colleagues’ work, the artist turned toward a more traditional – perhaps earnest – approach to art-making. Working largely with ‘faux’ materials of all sorts, Smith creates highly composed, brightly colored sculptures and wall pieces that flirt with the surreal. Smith has exhibited work nationally and internationally, and has been written about in Art in America, Artforum, the New York Times and the New Yorker. His latest solo and two’person exhibitions include Crush, The Hole, Los Angeles, CA; Flight of Fancy, Hans Alf Gallery, Copenhagen, Denmark; Standing on the Moon, The Hole Gallery, New York, NY; Oneiroi, McEvoy Ranch, Petaluma; among others.